Deschutes Public Library

Black country music, listening for revolutions, Francesca T. Royster

Label
Black country music, listening for revolutions, Francesca T. Royster
Language
eng
Bibliography note
Includes bibliographical references (pages 193-219) and index
resource.biographical
contains biographical information
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
Black country music
Nature of contents
bibliography
Oclc number
1293450330
Responsibility statement
Francesca T. Royster
Series statement
American music series
Sub title
listening for revolutions
Summary
""What happens when we look at US country music through a black feminist and queer eye?" Francesca Royster suggests it reveals a group of mostly invisible fans and performers in a "white" musical genre, some of whom are intervening in that space in ways that are creative, risky and inherently "soulful." While loving country music can be an exercise in shaming and rejection for these fans, the music is also a space of creativity, resistance, and power. Royster contends that the pleasures country music offers some Black listeners can be connected to Eve Sedgwick's idea of queerness as "the open mesh of possibilities" within any group that "doesn't signify monolithically." That makes for a useful lens for exploring the ways that country music changes people as they listen, perform and consume, both as individuals and in community"--, Provided by publisher
Table Of Contents
Introduction. Where my people at? -- Uneasy listening : tuning into Tina Turner's queer frequencies in Tina turns the country on! and other albums -- "Love you, my brother" : Darius Rucker's bro-intimacy and acts of sonic freedom -- How to be an outlaw : Beyoncé's Daddy lessons -- Valerie June : ghost catcher -- Can the Black banjo speak? Notes on Songs of Our Native Daughters -- Thirteen ways of looking at Lil Nas X's Old town road -- Epilogue. Black country afrofuturisms : Mickey Guyton, Rissi Palmer, and DeLila Black
Classification
Content
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