Deschutes Public Library

Tales of Ordinary People. Le France

eng

videorecording

Tales of Ordinary People. Le France

956902318

Originally produced by California Newsreel in 1999

46

Le France of the collection of films - Tales of Ordinary People. These two now classic shorts, Le Franc and La petite vendeuse de Soleil (The Little Girl who Sold the Sun) by the iconoclastic Senegalese filmmaker Djibril Diop Mambety were originally intended as a trilogy under the title, Tales of Ordinary People. Mambetýђةs untimely death in 1998 prevented the completion of the third film.. Mambety had a genius for constructing allegories or fables that represent abstract economic concepts through everyday human dramas. Newsweek commented that Mambetýђةs work iś ђجrich with symbolism and spiritualitýђح which uses film to project a vital image of his native continent́.ђح. In the first film, Le Franc, Mambety uses the French government's 50% devaluation of the West African Franc (CFA) in 1994, and the resulting hardships as the basis for a whimsical commentary on using the lottery for survival.. The hero of this tale is Marigo, a penniless musician living in a shanty town, relentlessly harassed by his formidable landlady. He survives only through dreams of playing his congoma (a kind of guitar) which has been confiscated in lieu of back rent. But winning the lottery changes his life. Played with slapstick gusto by the gangly, rubber-legged Dieye Ma Dieye, Marigo is both comic and poignant, a Senegalese Charlie Chaplin.. In La petite vendeuse de Soleil (The Little Girl who Sold the Sun), Mambety brings us the feisty Sili Lam, a twelve year old paraplegic who becomes the first girl to sell a daily newspaper in the competitive world of young male newspaper vendors. She takes on a policeman whom she accuses of shaking her down as well as the boys who taunt her. When some boys take her newspapers and crutches, and her friend asks heŕ ђجWhat next́?ђح she triumphantly respondś, ђجWe continuéђح. The scenes - moving, satiric and comic, are expertly played by non-professional actors to a score by acclaimed musician Wasis Diop (Mambetýђحs brother).́. ђجA wondrous affirmative political allegory and an exercise in stylized neo-realism. One of the top ten of the yeaŕ.ђح - Village Voice "The humanity Mambety shows is so piercingly and immediately moving in its angelic matter-of-factnesss, its holy and surreal." - San Francisco Chronicle

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